(above) Temporary Culture 2013 Against the Art of War poems by Ernest Hilbert and Henry Wessells, editor Henry Wessells. 30 copies on fine paper, letterpress by David Wolfe with three aquatint etchings printed by the artist, Judith Clute. Twenty six copies, A to Z and five copies lettered 1-5. The four etchings above are each created by over printing a second plate. Yes, there was a surprise extra aquatint at the end, called “breaking cover”. (Because this is a special fine-art production there is no ISBN number.)
(above) Temporary Culture 2008, Forever Peace.To Stop War, poem by Joe Haldeman, editor Henry Wessells. The nine etchings above by Judith Clute are made in various ways (soft ground and aquatint) and they were hand bound into each of the 30 volumes of this limited edition. The paper throughout is 300 wt Somerset and the letterpress is by David Wolfe. Because this is a special fine-art production there is no ISBN number. (The edition is sold out and copies were purchased by Yale Library and Duke University.)
(above) BecconPublications 2006. Chip Crockett’s Christmas Carol by Elizabeth Hand, illustrated with aquatints by Judith Clute, (above). This is the first separate publication, limited to 222 numbered copies, signed by the author and the artist. ISBN 1-870824-49-0
(above) Logo design for the Science Fiction Foundation by Judith Clute, 2002
(above) 2001: A Celebration of British Science Fiction, Convention chaired by Farah Mendlesohn and The Science Fiction Foundation in Liverpool. Cover by Judith Clute, Artist Guest of Honour.
(above) attitude 8 1996. Editors John Dallman, Pam Wells, cover by Judith Clute
(above) Strange Plasma no 5. 1992. Editor Steve Pasechnick, cover by Judith Clute
(above) Interzone no. 42 1990. Editor David Pringle. Cover Judith Clute
(above) Interzone 42, Dec 1990. “The Eradication of Romantic Love” by Pat Murphy, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “To Be of Use” by Lisa Tuttle, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Sarah Canary and the Mermaid” by Karen Joy Fowler, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Sarah Canary and the Mermaid‘ by Karen Joy Fowler, bb, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Faking It” by Sherry Coldsmith, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Faking It” by Sherry Coldsmith, bb, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Faking It” by Sherry Coldsmith, cc, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Glass Angel” by Carolyn Ives Gilman, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Learning the Language” by Martha A. Hood, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Learning the Language” by Martha A. Hood, bb, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Learning the Language” by Martha A. Hood, cc illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Forward Echoes” by Gwyneth Jones, illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Forward Echoes” by Gwyneth Jones, bb , illustrated by Judith Clute
(above) Interzone 42, Dec 1990. “Forward Echoes” by Gwyneth Jones, cc, illustrated by Judith Clute
(above) Interzone no. 11 1985. Editor Roz Kaveney. ‘Fogged plates” by Christopher Burns, illustrated by Judith Clute.
(above) Interzone no. 11 1985. Editor Roz Kaveney. “War and/or Peace” by Lee Montgomerie, illustrated by Judith Clute
(above) New Worlds Nine Quarterly, 1975. Editor Hilary Bailey. “Daddy’s Girl” by Joanna Russ, illustrated by Judith Clute
(above) Aspen Poetry Handbill, 1965. Editor John Clute. “On the Relinquishing” by John Clute, illustrated by Judith Clute